The Black Boxer Tales Page 7
The fair child crept out from under the blackthorn tree. She had tucked her frock in her pale blue knickers and she stood upright on her toes, like a ballet-dancer. She broke off a spray of blackthorn and held it with both hands above her head and then twirled on her toes and did high kicks and waltzed majestically round and round the blackthorn tree. Now and then she broke out and sang to herself. She introduced a stage vibrato into her voice and she danced about the blackthorn tree to the tune she made, acting perfectly.
Finally the brown-haired child came down the bank again. She saw the fair child dancing and she suddenly conceived a desire to dance too. She stood by the tree and waited. The fair girl saw her.
‘You needn’t come here!’ she sneered.
A spasm of sadness crossed the face of the dark child. She turned and descended the bank very slowly, sometimes pausing and looking backward and then edging unwillingly away. Finally, with the primroses and the single anemone still shining in her hair, she reached the road and walked slowly away and disappeared.
When she had gone there was nothing left to interrupt the gaiety of the dancing child, the flowers about the earth and the blackthorn tree scattering its shower of lovely stars.
The Mower
In the midday heat of a June day a farm-boy was riding down a deserted meadow-lane, straddling a fat white pony. The blossoms of hawthorn had shrivelled to brown on the tall hedges flanking the lane and wild pink and white roses were beginning to open like stars among the thick green leaves. The air was heavy with the scent of early summer, the odour of the dying hawthorn bloom, the perfume of the dog-roses, the breath of ripening grass.
The boy had taken off his jacket and had hooked it over the straw victual-bag hanging from the saddle. There were bottles of beer in the bag and the jacket shaded them from the heat of the sun. The pony moved at walking-pace and the boy rode cautiously, never letting it break into a trot. As though it was necessary to be careful with the beer, he sometimes halted the pony and touched the necks of the bottles with his fingers. The bottlenecks were cool, but the cloth of his jacket was burning against his hand.
He presently steered the pony through a white gate leading from the lane to a meadow beyond. The gate was standing open and he rode the pony straight across the curving swathes of hay which lay drying in the sun. It was a field of seven or eight acres and a third of the grass had already been mown. The hay was crisp and dry under the pony’s feet and the flowers that had been growing in the grass lay white and shrivelled in the sunshine.
Over on the far side of the field a man was mowing, and a woman was turning the rows of grass with a hay-rake. The figure of the man was nondescript and dark, and the woman was dressed in a white blouse and an old green skirt that had faded to the yellowish colour of the grass the man was mowing. The boy rode the pony towards them. The sunshine blazed down fierce and perpendicular, and there was no shade in the field except for the shadow of an ash-tree in one corner and a group of willows by a cattle-pond in another.
Everywhere was silence and the soft sound of the pony’s feet in the hay and the droning of bees in the flowers among the uncut grass seemed to deepen the silence.
The woman straightened her back and, leaning on her rake, shaded her face with her hand and looked across at the boy as she heard him coming. The man went on mowing, swinging the scythe slowly and methodically, his back towards her.
The woman was dark and good-looking, with a sleek swarthy face and very high, soft red cheek-bones, like a gipsy, and a long pigtail of thick black hair which she wore twisted over her head like a snake coiled up asleep. She herself was rather like a snake also, her long body slim and supple, her black eyes liquid and bright. The boy rode up to her and dismounted. She dropped her rake and held the pony’s head and ran her fingers up and down its nose while he slipped from the saddle.
‘Can he come?’ she said.
The boy had not time to answer before the man approached, wiping the sweat from his face and neck with a dirty red handkerchief. His face was broad and thick-lipped and ponderous, his eyes were grey and simple, and the skin of his face and neck and hands was dried and tawny as an Indian’s with sun and weather. He was about forty, and he walked with a slight stoop of his shoulders and a limp of his left leg, very slowly and deliberately.
‘See him?’ he said to the boy.
‘He was up there when I got the beer,’ the boy said.
‘In The Dragon? What did he say?’
‘He said he’d come.’
The woman ceased stroking the pony’s nose and looked up.
‘He said that yesterday,’ she said.
‘Ah! but you can’t talk to him. He’s got to have his own way,’ said the man. ‘Was he drunk?’ he asked.
‘I don’t think so,’ said the boy. ‘He was drunk yesterday.’
The man wiped his neck impatiently and made a sound of disgust and then took out his watch. ‘Half the day gone—and a damn wonder if he comes,’ he muttered.
‘Oh! if Ponto says he’ll come,’ said the woman slowly, ‘he’ll come. He’ll come all right.’
‘How do you know? He does things just when he thinks he will—and not until.’
‘Oh! He’ll come if he says he’ll come,’ she said.
The boy began to lead the pony across the field towards the ash tree. The woman stood aside for him and then kicked her rake on a heap of hay and followed him.
The sun had crossed the zenith. The man went back to his scythe and slipped his whetstone from his pocket and laid it carefully on the mown grass. As he put on his jacket he turned and gazed at the white gate of the field. He could see no one there, and he followed the woman and the boy across the field to the ash tree.
Under the ash tree the boy was tethering the horse in the shade and the woman was unpacking bread and cold potatoes and a meat pie. The boy had finished tethering the horse as the man came up and he was covering over the bottles of beer with a heap of hay. The sight of the beer reminded the man of something.
‘You told him the beer was for him?’ he asked.
‘He asked me whose it was and I told him what you said,’ the boy replied.
‘That’s all right.’
He began to unfold the sack in which the blade of his scythe had been wrapped. He spread out the sack slowly and carefully on the grass at the foot of the ash trunk and let his squat body sink down upon it heavily. The boy and the woman seated themselves on the grass at his side. He unhooked the heavy soldier’s knife hanging from his belt, and unclasped it and wiped it on his trousers knee. The woman sliced the pie. The man took his plateful of pie and bread and potatoes on his knee, and spitting his sucking-pebble from his mouth began spearing the food with the point of his knife, eating ravenously. When he did not eat with his knife he ate with his fingers, grunting and belching happily. The woman finished serving the pie, and sucking a smear of gravy from her long fingers, began to eat too.
During the eating no one spoke. The three people stared at the half-mown field. The curves of the scythed grass were beginning to whiten in the blazing sunshine. The heat shimmered and danced above the earth in the distance in little waves.
Before long the man wiped his plate with a piece of bread and swilled down his food with long drinks of cold tea from a blue can. When he had finished drinking, his head lolled back against the ash tree and he closed his eyes. The boy lay flat on his belly, reading a sporting paper while he ate. The air was stifling and warm even under the ash tree, and there was no sound in the noon stillness, except the clink of the horse’s bit as it pulled off the young green leaves of the hawthorn hedge.
But suddenly the woman sat up a little and the drowsy look on her face began to clear away. A figure of a man had appeared at the white gate and was walking across the field. He walked with a kind of swaggering uncertainty and now and then he stopped and took up a handful of mown grass and dropped it again. He was carrying a scythe on his shoulder.
She watched him intently as h
e skirted the standing grass and came towards the ash tree. He halted at last within the shade of the tree and took a long look at the expanse of grass, thick with buttercups and tall bull-daisies, scattered everywhere like a white and yellow mass of stars.
‘By Christ,’ he muttered softly.
His voice was jocular and tipsy. The woman stood up.
‘What’s the matter, Ponto?’ she said.
‘This all he’s cut?’
‘That’s all.’
‘By Christ.’
He laid his scythe on the grass in disgust. He was a tall, thin, black-haired fellow, about thirty, lean and supple as a stoat; his sharp, dark-brown eyes were filled with a roving expression, half dissolute and half cunning; the light in them was sombre with drinking. His soft red lips were full and pouting, and there was something about his face altogether conceited, easygoing and devilish. He had a curious habit of looking at things with one eye half closed in a kind of sleepy wink that was marvellously knowing and attractive. He was wearing a dark slouch hat which he had tilted back from his forehead and which gave him an air of being a little wild but sublimely happy.
Suddenly he grinned at the woman and walked over to where the man lay sleeping. He bent down and put his mouth close to his face.
‘Hey, your old hoss’s bolted!’ he shouted.
The man woke with a start.
‘Your old hoss’s bolted!’
‘What’s that? Where did you spring from?’
‘Get up, y’ old sleepy guts. I wanna get this grass knocked down afore dark.’
The man got to his feet.
‘Knock this lot down afore dark?’
‘Yes, my old beauty. When I mow I do mow, I do.’ He smiled and wagged his head. ‘Me and my old dad used to mow twenty-acre fields afore dark—and start with the dew on. Twenty-acre fields. You don’t know what mowin’ is.’
He began to take off his jacket. He was slightly unsteady on his feet and the jacket bothered him as he pulled it off and he swore softly. He was wearing a blue-and-white shirt and a pair of dark moleskin trousers held up by a wide belt of plaited leather thongs. His whetstone rested in a leather socket hanging from the belt. He spat on his hands and slipped the whetstone from the socket and picked up his scythe and with easy, careless rhythmical swings began to whet the long blade. The woman gazed at the stroke of his arm and listened to the sharp ring of the stone against the blade with a look of unconscious admiration and pleasure on her face. The blade of the scythe was very long, tapering and slender, and it shone like silver in the freckles of sunlight coming through the ash leaves. He ceased sharpening the blade and took a swing at a tuft of bull-daisies. The blade cut the stalks crisply and the white flowers fell evenly together, like a fallen nosegay. His swing was beautiful and with the scythe in his hand the balance of his body seemed to become perfect and he himself suddenly sober, dignified, and composed.
‘Know what my old dad used to say?’ he said.
‘No.’
‘Drink afore you start.’
‘Fetch a bottle of beer for Ponto,’ said the man to the boy at once. ‘I got plenty of beer. The boy went up on the way and fetched it.’
‘That’s a good job. You can’t mow without beer.’
‘That’s right.’
‘My old man used to drink twenty pints a day. God’s truth. Twenty pints a day. He was a bloody champion. You can’t mow without beer.’
The woman came up with a bottle of beer in her hand. Ponto took it from her mechanically, hardly looking at her. He uncorked the bottle, covered the white froth with his mouth and drank eagerly, the muscles of his neck rippling like those of a horse. He drank all the beer at one draught and threw the empty bottle into the hedge, scaring the pony.
‘Whoa! damn you!’ he shouted.
The pony tossed his head and quietened again. Ponto wiped his lips, and taking a step or two towards the boy, aimed the point of the scythe jocularly at his backside. The boy ran off and Ponto grinned tipsily at the woman.
‘You goin’ to turn the rows?’ he said.
‘Yes,’ she said.
He looked her up and down, from the arch of her hips to the clear shape of the breasts in her blouse and the coil of her black pigtail. Her husband was walking across the field to fetch his scythe. She smiled drowsily at Ponto and he smiled in return.
‘I thought you’d come,’ she said softly.
His smile broadened and he stretched out his hand and let his fingers run down her bare brown throat. She quivered and breathed quickly and laughed softly in return. His eyes rested on her face with mysterious admiration and delight and he seemed suddenly very pleased about something.
‘Good old Anna,’ he said softly.
He walked past her and crossed the field to the expanse of unmown grass. He winked solemnly and his fingers ran lightly against her thigh as he passed her.
The woman followed him out into the sunshine and took up her rake and began to turn the rows that had been cut since early morning. When she glanced up again the men were mowing. They seemed to be mowing at the same even, methodical pace, but Ponto was already ahead. He swung his scythe with a long light caressing sweep, smoothly and masterfully, as though his limbs had been born to mow. The grass was shaved off very close to the earth and was laid in a tidy swathe that curved gently behind him like a thick rope. On the backward stroke the grass and the buttercups and the bull-daisies were pressed gently backwards, bent in readiness to meet the forward swing that came through the grass with a soft swishing sound like the sound of indrawn breath.
The boy came and raked in the row next to the woman. Together they turned the rows and the men mowed in silence for a long time. Every time the woman looked up she looked at Ponto. He was always ahead of her husband and he mowed with a kind of lusty insistence, as though he were intent on mowing the whole field before darkness fell. Her husband mowed in a stiff, awkward fashion, always limping and often whetting his scythe. The boy had taken some beer to Ponto, who often stopped to drink. She would catch the flash of the bottle tilted up in the brilliant sunshine and she would look at him meditatively as though remembering something.
As the afternoon went on, Ponto mowed far ahead of her husband, working across the field towards the pond and the willows, He began at last to mow a narrow space of grass behind the pond. She saw the swing of his bare arms through the branches and then lost them again.
Suddenly he appeared and waved a bottle and shouted something.
‘I’ll go,’ she said to the boy.
She dropped her rake and walked over to the ash tree and found a bottle of beer. The flies were tormenting the horse and she broke off an ash bough and slipped it in the bridle. The sun seemed hotter than ever as she crossed the field with the beer, and the earth was cracked and dry under her feet. She picked up a stalk of buttercups and swung it against her skirt. The scent of the freshly mown grass was strong and sweet in the sunshine. She carried the beer close by her side, in the shadow.
Ponto was mowing a stretch of grass thirty or forty yards wide behind the pond. The grass was richer and taller than in the rest of the field and the single swathes he had cut lay as thick as corn.
She sat down on the bank of the pond under a willow until he had finished his bout of mowing. She had come up silently, and he was mowing with his back towards her, and it was not until he turned that he knew she was there.
He laid his scythe in the grass and came sidling up to her. His face was drenched in sweat and in his mouth was a stalk of totter-grass and the dark red seeds trembled as he walked. He looked at Anna with a kind of sleepy surprise.
‘Good old Anna,’ he said.
‘You did want beer?’ she said.
He smiled and sat down at her side.
She too smiled with a flash of her black eyes. He took the bottle from her hand and put one hand on her knee and caressed it gently. She watched the hand with a smile of strange, wicked, ironical amusement. He put the bottle between his knees
and unscrewed the stopper.
‘Drink,’ he said softly.
She drank and gave him the bottle.
‘Haven’t seen you for ages,’ she murmured.
He shrugged his shoulders and took a long drink. His hand was still on her knee and as she played idly with the stalk of buttercups, her dark face concealed its rising passion in a look of wonderful preoccupation, as though she had forgotten him completely. He wetted his lips with his tongue and ran his hand swiftly and caressingly from her knees to her waist. Her body was stiff for one moment and then it relaxed and sank backwards into the long grass. She shut her eyes and slipped into his embrace like a snake, her face blissfully happy, her hand still clasping the stalk of buttercups, her whole body trembling.
Presently across the field came the sound of a scythe being sharpened. She whispered something quickly and struggled and Ponto got to his feet. She sat up and buttoned the neck of her blouse. She was flushed and panting, and her eyes rested on Ponto with a soft, almost beseeching look of adoration.
Ponto walked away to his scythe and picked it up and began mowing again. He mowed smoothly and with a sort of aloof indifference as though nothing had happened, and she let him mow for five or six paces before she too stood up.
‘Ponto,’ she whispered.
‘Eh?’
‘I’ll come back,’ she said.
She remained for a moment in an attitude of expectancy, but he did not speak or cease the swing of his arms, and very slowly she turned away and went back across the field.
She walked back to where she had left her rake. She picked up the rake and began to turn the swathes of hay again, following the boy. She worked for a long time without looking up. When at last she lifted her head and looked over towards the pond, she saw that Ponto had ceased mowing behind the pond and was cutting the grass in the open field again. He was mowing with the same easy, powerful insistence and with the same beautiful swaggering rhythm of his body, as though he could never grow tired.